Death and journalism have always maintained a delicate and sometimes weird relationship. During my days as a news writer for the old United Press International, my first lesson on the subject involved events with death tolls. Any time the death toll is uncertain, the rule was to always go with the lowest ascertainable figure available. The logic for low-balling death counts was clear as crystal; in news copy, it’s easier to kill people than it is to bring them back from the dead.

Julianna and Theresa Rolle
I was also taught the standard rules that applied to reporting on deaths. There’s weren’t a lot of them but they managed to cover most circumstances:
- Was the person a minor? (Child deaths are always more sensitive)
- Was the person a public official? (The public’s right to know is paramount)
- Was the death a public event? (Was it caused by a natural disaster? A fire? A crime? People have a natural and legitimate interest)
- Did the person occupy a degree of public awareness? (Movie stars and other non-elected but notable persons fit into this category)
- Did the circumstances of the death include a societal or public safety issue? (Death caused by bad roads, bad policy or bad ideas are absolutely fair game)
- Was it a freak of nature? (People are just sort of attracted to, well, freak stories)
- Is it a slow news day? (Like it or not, it’s a fact of life when covering death)
- What is the geographic depth of interest? (A routine death in a smaller town is far more newsworthy than a routine death in a major city)
Regrettably, even these somewhat loosy-goosey protocols of decorum and judgment have been lost in what passes for 21st-century reporting, the most recent example being this dreadful breach of professionalism from Gawker. (more…)







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