Michael Joseph Gross, the author of the recent Vanity Fair hit piece on Sarah Palin, does not seem to be able to tell the truth. In a new attempt to “shoot the messenger” (me) rather than admit that his story is concocted, he tries to turn the tables and call my credibility into question. The problem–there are witnesses and logistical impossibilities that expose further problems with his story. He says:
I could not have spoken to her in Independence, because I was not allowed backstage on the floor of the arena, where Loudon was; that was a restricted space, and, as far as I am aware, all reporters were barred from the area.
Quoting from the first words of his article:
Backstage in the arena, a little girl in Mary Janes pushes her brother in a baby carriage, stopping a few yards shy of a heavy, 100-foot-long black curtain. The curtain splits the arena in two, shielding the children from an audience of 4,000 people clapping their hands in time to “The Battle Hymn of the Republic.” The music accompanies a video “Salute to Military Heroes” that plays above the stage where, in a few moments, the children’s mother will appear.
When the girl, Piper Palin, turns around, she sees her parents thronged by admirers, and the crowd rolling toward her and the baby, her brother Trig, born with Down syndrome in 2008. Sarah Palin and her husband, Todd, bend down and give a moment to the children; a woman, perhaps a nanny, [this is the part he already admitted was an "error" after we exposed it on Big Journalism] whisks the boy away; and Todd hands Sarah her speech and walks her to the stage. He pokes the air with one finger. She mimes the gesture, whips around, strides on four-inch heels to stage center, and turns it on.
His next statement in his defense: (more…)







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