
It’s one of the most iconic images of America’s greatest city: Edward Hopper’s moody, evocative ode to the City That Never Sleeps: “Nighthawks.” But did the lobster-shift diner shown in Hopper’s most famous painting ever exist?
That’s the subject of a terrific Op-Ed in today’s New York Times by Jeremiah Moss, “Nighthawks State of Mind.”
IN 1941, Edward Hopper began what would become his most recognizable work, one that has become an emblem of New York City. “‘Nighthawks,’” Hopper said in an interview later, “was suggested by a restaurant on Greenwich Avenue where two streets meet.” The location was pinpointed by a Hopper expert, Gail Levin, as the “empty triangular lot” where Greenwich meets 11th Street and Seventh Avenue, otherwise known as Mulry Square. This has become accepted city folklore. Greenwich Village tour guides point to the lot, now owned by the Metropolitan Transportation Authority, and tell visitors that Hopper’s diner stood there. But did it?
It’s a question writers, especially historians and writers of historical fiction about New York, often ask themselves. Often, our imaginations are fired by just such a thing as “Nighthawks,” by a glimpse into the souls of the denizens of the demi-monde: the couple, the man looking sharp in his undoffed fedora (which means he’s either married to the woman next to him or has no respect for her) as he speaks with the counterman; the woman looking indifferently at her nails; and the other guy, minding his own business, and glancing down either at his chow or perhaps the bulldog edition of one of New York’s many newspapers back then. Of such scenes are stories born. (more…)






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